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Hansberry clearly sympathized with Beneatha, but she gave Asagai the better of the argument. Will Beneatha accept Asagai's marriage proposal? . Her advice: “I think, then, that Negroes must concern themselves with. How is Asagai different from the Younger family? 5. Why is Beneatha so Describe the development of Beneatha's relationship with her brother Walter. 3. What advice does Walter give George? What does this tell us about. Beneatha- about 20 yrs old/ Daughter of Mama, sister of Walter Mama- in her 60s / Beneatha's and Walter's mother Describe Beneatha's relationship w/Asagai.
If you were watching you and Walter Lee in bed in the wee hours of the morning, the baby crying in his crib and you completely paralyzed, would that really be you lying next to Walter Lee or someone who just looks like you? Metaphors of action that encourage people to engage in a contest or battle with their problems, in order to defeat and vanquish them White, a, p. How do you feel about that time your dad almost bopped the school principal?
How do you feel about your decision to keep the beautiful baby you and Walter Lee made together? To Beneatha the budding feminist: What hair style would you really like to wear on a date with George Murchison versus a date with Joseph Asagai? Conversations that emphasize unique outcomes, i.Couples Therapy with Juan - David Lopez
To both Walter Lee and Beneatha: How do you feel about that crazy African tribal, American jazzed-up dance you both did after Asagai bought Beneatha her Nigerian tribal dress? How do you feel about that time Walter Lee confronted George Murchison on his acute lack of imagination? Do you see any difference in the ways Beneatha acts when she greets Joseph Asagai and George Murchison? How do you feel sometimes — not all the time — when you look at your new baby resting peacefully in his crib?
How do you feel about the way Walter Lee is responding to your new child? Are there any changes in the way Walter Lee and Beneatha are treating each other since you moved into the new house? The crucial importance of scaffolding conversations in Family Narrative Therapy. In the context of therapeutic practice, the therapist contributes significantly to the proximal zone of development and also recruits others to participate in this.
Thus Michael White has expanded the zone of proximal development to the larger social context of family therapy. Theory in the practice of psychotherapy. EdFamily therapy: Theory and practice, New York: The Use of family theory in clinical practice.
Thematic Structure of A Raisin In The Sun
Comprehensive Psychiatry, 7, White, Bowen, M. Family therapy in clinical practice. The Milan systemic approach to family therapy. Perevatt EdsCasebook in family therapy. Identity, youth and crisis. An approach based on Bowen theory. Substance, Structure, Style and the Principles of Screenwriting. Reflexive questioning as a means to enable self-healing. Family Process, 26, The development of higher mental processes. Original works publishedand Mama Lena Youngerin her early sixties, speaks "matter-of-factly" about her husband's prior womanizing.
Ruth, about thirty, is more vocal about her feelings to her own husband than Mama was; still, Ruth is not as enlightened about a woman's "place" as is Beneatha, who is about twenty and pursuing a career that, inwas largely a male-dominated profession.
Much of the conflict between Beneatha and Walter revolves around Walter's chauvinistic view of Beneatha. When Walter complains that Beneatha's medical schooling will cost more than the family can afford, he bases his argument on the fact that since Beneatha is a woman, she should not even want to become a doctor. Walter's resentment and anger erupts in Act I, Scene 1: If you so crazy 'bout messing 'round with sick people — then go be a nurse like other women — or just get married and be quiet.
Semester review A Raisin in the Sun Discussion Questions Flashcards by monique fang | Brainscape
She never yields to Walter and, in some cases, even goads him into a confrontation. Ruth's advice to Beneatha is that she should just "be nice" sometimes and not argue over every one of Walter's insensitive remarks. This advice is, of course, totally unacceptable to a character like Beneatha, to whom feistiness is a virtue and docility a "sin.
She makes it clear, early on, that she has no use for George Murchison because of his shallow beliefs. She makes it clear to Ruth that she doesn't understand how anyone could have married someone like Walter. And she defies her mother on religious points; in fact, Mama has to slap Beneatha before she will back down.
However, after Mama has left the room, Beneatha still says to Ruth that there is no God.
A Raisin in the Sun
Mama is the "head of her household" only by default. She had to take charge after the death of Big Walter, whose name suggests that he was in charge of his family prior to his death. Mama appears to be always ready to hand over the reins to her son and let him be "head of the household" for one reason: He is a man. She entrusts Walter with the remaining insurance money because she feels that she has robbed him of his "manhood" by having done with the money what she thought was best.
Semester review A Raisin in the Sun Discussion Questions Flashcards Preview
Mama is the type of woman who believes that the man should be in charge. Ruth apparently agrees, but Beneatha does not. Hansberry skillfully introduces issues of feminism that were not addressed as a political issue until a decade after the play's Broadway opening. Along with feminism, the theme of fecundity fertility; being fruitfully prolific is threaded throughout this play. Three generations of Youngers live in the same household; in addition, both Ruth's possible pregnancy and her contemplation of abortion become focal points of the drama, and Mama's reference to the child that she lost is emphasized.
She does not merely mention Baby Claude in conversation; rather she dwells upon her loss dramatically. At the beginning of the play, Ruth serves eggs — but not without getting into an argument with Walter over the eggs — which again accentuates the importance of this symbol of fertility to the play. In addition, toward the end of the play, we learn that Mama's maiden name was Lena Eggleston, a name that underscores the theme of fecundity as much as the argument over eggs at the beginning of the play.
A related motif is the subject of abortion, which was taboo and illegal in Ruth considers an abortion in order to save her "living family" from further economic distress. The slightest reference to the word, however, sends the other family members into an emotional tailspin. Even Beneatha's inadvertently callous response to Ruth's pregnancy is "Where is it going to sleep? Mama says in exasperation: Ruth is trapped both by poverty and by the knowledge that her relationship with Walter Lee is rapidly deteriorating.
Walter, although surprised to learn that she is contemplating an abortion, is still too caught up with his "get-rich-quick" scheme to offer her emotional support. Ruth contemplates an abortion because she believes this decision would be in the best interest of her family.
Whether or not Ruth will actually decide on an abortion is debatable, for Ruth says to Mama in Act I, "Ain't no thin' can tear at you like losin' your baby. At this point in the play, Ruth's pregnancy has not yet been verified, but the dialogue spawned by the abortion controversy in this drama is as relevant today as it was inwhen the play opened.
Afrocentrism, or the expression of pride in one's African heritage, so popular among the black youth of the s, was, ina little-known phenomenon. But Lorraine Hansberry's affinity for all things African resulted from the people of greatness that she was acquainted with through her family.
Langston Hughes, for example, was a friend of her father's and often came to the Hansberry home for dinner.