Relationship of Marlow and Kurtz in Joseph Conrad's Heart of Darkness. Joseph Conrad's Heart of Darkness is a story about the adventures of Marlow, the. The advice to keep calm is for Marlow, to follow as best as he can. of Kurtz in Heart of Darkness is further complicated by its piecemeal quality, a series of. The novel is about two men, Marlow and Kurtz whose existences mirror for through his experiences he is taught about the "heart of darkness".
The Russian trader claims that Kurtz is a man whom people listens to. Near the end of the story, Kurtz seemingly had absolute power in Africa. Marlow becomes also aware that Kurtz himself knows this power and thus associating the realization to himself.
And thus, when Marlow was contemplating on killing Kurtz he held back because he knows it would be like killing himself since he sees Kurtz as somewhat of an alter ego of himself.
Kurtz wants Marlow to keep his spirit alive by giving him documents about his exploits. A reporter retrieves the papers, or whatever is left with it, for publication. I had no clear perception of what it was I really wanted.
Perhaps it was an impulse of unconscious loyalty, or the fulfillment of one of these ironic necessities that lurk in the facts of human existence. But I went Conrad,p. Marlow played the role of comforter to the poor intended, Marlow listens to her patiently despite being annoyed at one point. In the end, he feels nothing but pity for the intended. Conclusion Marlow and Kurtz, despite not knowing each other for a long time had a good relationship.
Relationship Between Kurtz and Marlow. by Samantha Hagan on Prezi
It was so good in fact that Kurtz entrusted Marlow with very important and personal papers. Heart of Darkness and Selected Short Fiction. Marlow introduces the woman in a manner that suggests his own interest in her body: While she is not directly alongside the men, her presence captivates Marlow almost immediately.
The reader can imagine the woman entrancing Kurtz, years before, much like she appeals to Marlow now. Her hair is masculine, as it is short and helmet shaped. Additionally, she is attired in brass leggings and gauntlets that evoke a sense of armor, her body rendered a hard shell by these elements.
The native woman is not timid in any respect; rather, she commands authority. This is evidenced by both her head being held high and the sense of brutality in her appearance. While Marlow is not outwardly critical of her in this instance, his matter-of-fact description is suggestive of morbid curiosity. Additionally, it is somewhat suggestive of his aversion, as she is no longer described in terms that indicate her physical beauty.
Much like the African jungle, she is mysterious and initially alluring; however, a more careful examination reveals her to be foreign and dangerous. After going to meet the Intended in the conclusion of the narrative, Marlow describes her home in language that indicates the cold and unwelcoming environment.
This description stands in stark contrast to that of the jungle, which is described in chaotic terms The tall marble fireplace had a cold and monumental whiteness. They only showed that Mr. Here, it becomes clear that Kurtz has lost all ties to civilized society, and to mankind as a whole. Additionally, the position of the heads indicates that they serve as trophies, rather than markers of warning.
While their inward glance may act as a penitent reminder to Kurtz--a recognizable symbol of his lost humanity--they appear to be more in line with gratifying objects. He wants to be reminded of his greatness and his ability to take life at will. There is no possibility of return, therefore, it is fitting that Kurtz dies soon after Marlow finds him Similar to Kurtz, D.
This perception is heightened by sexual lust, culminating in his death. Gerald Crich comes from wealth This contrasts Kurtz, who had originally ventured to the Congo in the hopes of attaining the wealth needed to marry his Intended Conrad While Kurtz has financially struggled, Gerald has been fortunate.
Rather, he lives comfortably, dabbling in the various activities that strike his fancy: While a series of events have pushed Kurtz towards madness, the narrative is devoid of the instance at which he transformed.
However, for Gerald, it appears much clearer. Here, there is a clear sense of desperation. In spite of having injured himself, Gerald continues trying to rescue Diana, unable to give up. Additionally, it appears that he can trust no one but himself, as he is the only one repeatedly diving in.
While this is clearly a moment when most people would continue at any cost to search for a drowning person, Gerald does not call for the assistance of other men. Rather, he continues his pursuit alone. It is only after several minutes have passed that Gerald is forced to give up, as there is no chance of rescuing her. Upon realizing that Diana is unable to be saved, Gerald is described in language that expresses both his physical and psychological defeat: Gerald climb[ed] out of the water, but this time slowly, heavily, with the blind clambering motions of an amphibious beast, clumsy … [He] looked defeated now, his body, it clambered and fell with slow clumsiness.
He was breathing hoarsely too, like an animal that is suffering. Man is quite delicate, and therefore subject to the basic necessities, which include resting after strenuous activities.
Gerald emerges from the water exhausted, but he is now fully aware of his physical weakness. By not being able to save Diana, partly due to his human weaknesses, Gerald has lost or perhaps given up part of his humanity. Additionally, it is while he is in this animalistic state that Gerald begins his own descent into madness, as he abandons his humanity for a stronger persona.
Initially, Gerald views his job in the coal mines as another exciting activity: However, his enjoyment emerges out of the control he exerts over people and the land, in addition to the pleasure he receives in observing the physical manifestation of his influence: He saw them as he entered London in the train, he saw them at Dover.
It is with this great sense of control and influence that Gerald continues to descend into darkness, as the power inherent to his position is abused. The abuse of power that Gerald exhibits is similar to that of Kurtz. Both men assume god-like mentalities as they dominate people.
In doing so, he assumes a god-like position over the lives of the employees. Similar to the way in which Kurtz is viewed by the natives as a fear-inducing entity, so too is Gerald; his lack of care and consideration for his employees showing him to be a cruel ruler. While Gerald presides over the mine and its people in a god-like manner, he also exerts control over his lover, Gudrun Brangwen.
This is evidenced when the narrator describes Gerald holding Gudrun: And now, under the bridge, the master of them all pressed her to himself! Here, Gerald exerts physical control over Gudrun, as he passionately, though forcefully, embraces her. Here, Gerald becomes dominant over the colliers, Gudrun, and potentially, all of humanity.
🔎Heart of Darkness Marlow and Kurtz - words |
He found in her an infinite relief. This passage initially suggests that Gerald is healed by his sexual experience. These delusions become solidified in this culminating sexual experience, rendered him so far removed from reality that he has no hope of recovery.