Your Favorite OST (Film or Movie Original Soundtrack) - Page 20
Moira's heartbreaking version of this song will tug at your You can buy your movie tickets here: Robinsons Movieworld, SM Cinema, . Grandparents' Day: Meet Tita Lola, the one who brought the 'house' to 'The Hows of Us'. Meet the Spartans Soundtrack, find all 24 songs from the Meet the Spartans ( ) movie music soundtrack, with scene descriptions. Listen to. Check out Chef [Original Soundtrack Album] by Chef on Amazon Music. Stream ad-free or purchase CD's Meet the Robinsons (Original M Various artists
Tyson dan Nick bertemu di parti sekolah. Pertama kali mereka mencadangkan nama band mereka ialah: The band formed in StillwaterOklahoma, in while members Tyson Ritter and Nick Wheeler were still in high school.
The All-American Rejects
Tyson and Nick met at a middle school party where, surprisingly Tyson was the doorman. The name of the band came from two suggestions: Due to tensions in the band, Tim Campbell left. Same Girl, New Songs soon was sent to independent Doghouse Recordswhere an intern saved the disc from the trash, and revealed it the label owner. The All-American Rejects were soon signed to a recording contract. They were then signed by DreamWorks Records and both the album and single were reissued.
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During this time, they performed on the Vans Warped Tour. They would later be part of the lineup again in The album's first single, " Dirty Little Secret ", was also released in the summer to radio stations.
Within the first weeks after premiering their video, it had been on the Total Request Live countdown, hitting number one four days in a row. Tommy The Who, Surely the weirdest and most wonderful of all rock-opera movies, Tommy has the lot: The Big Chill Various, Lawrence Kasdan's loved and loathed friends-reunited film did for Motown what American Graffiti had done for rock'n'roll a decade before. West Side Story Leonard Bernstein and Stephen Sondheim, Jazz-propelled percussion, Shakespearean grandeur and great lyrics make for an edgy brilliance in Sondheim and Bernstein's breakthrough street opera.
The Big Country Jerome Moross, The old West never sounded so new, shimmering or so big as it did in Moross's score for this Gregory Peck film, as its success as a s dance music sample demonstrated. Epic ain't the half of it. Grace of My Heart Various, The film may have verged on parody, but its soundtrack of s and s pop facsimiles is lovely, touching and fun and enough to pass for a long-lost Phil Spector project.
Once Upon a Time in the West Ennio Morricone, The Michelin-starred masterpiece of spaghetti westerns found its musical match in Ennio Morricone's quirky, creepy and sweepingly emotional score. American Graffiti Various, For an unapologetically slight slice of nostalgia about the mythic power of rock?
Its big, brilliant soundtrack of jukebox classics did all the work for it.
Meet the Robinsons [An Original Walt Disney Records Soundtrack]
Its soundtrack captures the excitement and creative power of hip-hop's primal scenes. Pat Garrett and Billy the Kid Bob Dylan, Dylan's lazily strummed soundtrack, where banjos bounce and Knockin' on Heaven's Door makes weariness sound wonderful, spoke volumes. Pulp Fiction Various, Classics from Kool and the Gang, Dusty Springfield and Al Green are accompanied by lesser-known, but no-less-great, soul-'n'-surf grooves and snippets of Tarantino dialogue on this definitive document of s retro-cool.
Here he sticks to the piano and lets Gayle sugar-coat his picaresque brand of romance. The Mission Ennio Morricone, Roland Joffe's epic historical tale starred Robert De Niro and Jeremy Irons and some glorious scenery, but still owed its emotional impact to Morricone's cascading score.
Alfie Sonny Rollins, Cilla's great version of the title song doesn't feature on this record, but Rollins's saxophone makes up for it. His riffs on the Bacharach-David scene are definitively swinging and Sixties, but somehow timeless, too.
And Ron Goodwin's ominous, brass-heavy score. A combination so perfect you can't see this film too many times. For most of the early s, if a documentary wanted to evoke the spirit of traditional England, it used Nyman's music written for Greenaway's first and only really popular film.
Meet the Robinsons () - Soundtracks - IMDb
It's sung by Audrey Hepburn, who said, when a studio executive tried to have it cut, 'over my dead body'. Secrets and Lies Andrew Dickson, Yes, yes, excellent directing and acting, brilliant dialogue. But take another listen. The music, plastered over almost every join, is a match for all that happens on the screen.
Perfectly moving with the scenario. Ghost World Various, It begins with a rumbling, jangling s Bollywood dance number, Jaan Pehechaan Ho, but Terry Zwigoff's film mostly noses around the world of blues, jazz and calypso from the s and s. But this, performed by Shirley Bassey, is surely The One.
Midnight Cowboy John Barry, Long after people have forgotten this Oscar-winning period piece starring Jon Voight and Dustin Hoffman, they'll still be humming the theme tune. Chariots of Fire Vangelis, Quite what a s synthesiser score by a New-Agey Greek composer had to do with British athletes in the s is anyone's guess.
But golly, it worked! The Magnificent Seven Elmer Bernstein, Whenever there's a Simpsons episode with a western theme, the music it uses is Elmer Bernstein's swooping, stirring orchestral score for The Magnificent Seven. That's how definitive it is. John Williams, As with so many Williams scores, resistance to the E. Every time you hear it, you think of E. And you want to cry. Jaws John Williams, 'Duh dum. Blade Runner Vangelis, How could you possibly come up with a soundtrack to match a sci-fi masterpiece so stylish and melancholic and noir?Meet the Robinsons - 03 - The Future Has Arrived
Trainspotting Various, Unlike Irvine Welsh's sordid novel, the Danny Boyle film version made heroin look rather fun - aided by a stonkingly cool, mostly upbeat soundtrack including Iggy Pop, Leftfield and Underworld. Assault on Precinct 13 John Carpenter, Carpenter's tense thrilling urban classic about a lonely cop station holding out against villains was rendered all the more scary by the moody, hugely influential, minimalistic synthesiser soundtrack.
The Dambusters Eric Coates, Eric Coates had just composed a march in the style of Elgar's Pomp and Circumstance when the call came from the producers: So, too, was John Barry's sinuous, slyly menacing score. Reservoir Dogs Various, On the so-bad-it's-good principle which would see him revive the career of John Travolta, Quentin chose some of the worst songs from the Seventies - notably Stuck in the Middle With You by Stealers Wheel - and made them hip.
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Jean de Florette Jean-Claude Petit and Guiseppe Verdi, The easy, wheezy, maudlin lyricism of its soundtrack appears to contain a sort of Gallic shrug, a low-level grumpiness, in those self-pitying head-turned-down phrases.
Badlands Carl Orff, Terrence Mallick's early masterpiece about two young lovers facing page on a mindless killing spree wouldn't be half so resonant without its lilting glockenspiel score.